- por Emeric Fakambi
The Sunday Scroll: Music as a Personality Trait
- por Emeric Fakambi
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The Grammys are today, which means the internet is about to do what it always does: turn taste into a contact sport. But the reason it gets so intense is simple — people don’t just listen to music. They use it to build identity. To signal who they are. To hold onto who they were. To become who they’re trying to be.
Some people build playlists. Others build moods. Here’s the vibe memo: music journalism meets fragrance philosophy, with zero “you had to be there” energy. You’re welcome.

IDENTITY / public taste vs private taste
There’s music you wear. And music you feel.
Wear music is the playlist you’ll happily post — the one that says “I’m curated, I’m fine, yes I know this is niche.”
Feel music is the song you play at 1am with headphones on because it fixes your nervous system in 2 minutes.
Both are taste. One is for the room. One is for you.
REPEAT LISTENS / mood regulation
No one overplays a song for no reason. Repetition is a tell.
We replay tracks because they stabilise something: confidence, calm, chaos, nostalgia, the “I’m back” feeling, the “I’m not okay but I’m cute about it” feeling.
If a song lives in your top five, it’s not just taste — it’s a tool.
“I don’t overplay songs. I self-soothe with them.”
— the internet, accidentally being honest

TIME CAPSULE / emotional resets
You don’t just remember an album. You remember who you were when it found you.
The commute album. The “I’m moving on” album. The “this summer was a movie” album. The “I need to start over” album.
That’s why albums feel like eras — they’re not just music, they’re places you lived for a while.
Not genres. Not “good taste.” Just the ways people actually use music in real life.
warm · soft · slightly dangerous
You’re not sad. You’re sentimental. (Okay maybe a little sad.)
confidence · posture · power walk
You’re going outside and you want the world to behave accordingly.
quiet · intimate · headphones-only
This isn’t for content. This is for coping. Respect.
loud · sweaty · no thoughts
You’re not processing. You’re dissolving. Healing, actually.
start-to-finish · no skipping
You’re rebooting your brain. We support the drama.
ENVIRONMENT / how music hits your body
Headphones turn music inward. You hear texture. Breath. Tiny choices. It’s intimate.
Dancefloors do the opposite. Bass moves through everyone at once and suddenly you’re fine again. Collective reset.
Same song, different medicine.

SCENTLIST × SCENTMIX
If your Spotify is basically your personality, your fragrance lineup is doing the same thing — just quieter. Like: you’re not “choosing a perfume.” You’re choosing a mood to walk around in.
That’s why we made ScentMix: little soundtracks for fragrance. Not background music — more like: “this is what the scent feels like.” (Because sometimes words aren’t enough. Sometimes you need a vibe translator.)
“This is basically a playlist for your aura.”
— and honestly, exactly
MEMORY / instant mood travel
Music can time-travel you. Scent can do it even faster.
One chorus and you’re back in a year you don’t talk about. One spray and you’re in a different version of your day.
That’s why both feel so personal: they skip the logic and go straight to the feeling.
Lilacs & Gooseberries → emotional, escapist, cinematic. The “I’m in my own movie” listen.
Blackberry Woods → moody, intimate, after-dark. The playlist you never share.
Salt Caramel → comfort listens, repeat tracks, warm nostalgia.
CULTURE / legacy, momentum, and “what counts”
Music awards are never just about music. They’re about what gets validated in public.
Every year, the same arguments show up: popularity vs craft, legacy vs new energy, innovation vs comfort.
The debates aren’t annoying — they’re revealing. Because nobody is fighting over a trophy. They’re fighting over what taste means right now.

LEGACY / when music becomes history
This year, the Grammys quietly made history.
Fela Anikulapo-Kuti became the first African artist to receive a posthumous Lifetime Achievement Award — decades after his music first changed the world.
No rollout. No trend cycle. No algorithm.
Just recognition that some work doesn’t expire.
Fela didn’t make music for charts or approval. He built a sound that carried politics, identity, resistance, joy, anger — all at once. Afrobeat wasn’t just a genre. It was a position.
Legacy doesn’t chase attention. It waits.
— and then it returns, louder than any trend
REFLECTION / the mood you’re protecting
What’s the song you’ve been returning to lately?
Not what’s trending. Not what you’d post. The one you reach for when you want to feel like yourself again.
Now the fun part: if that song was a scent… what would it smell like?
The Sunday Scroll: Music as a Personality Trait
The Sunday Scroll: Internet Is Obsessed With Soft Power
The Sunday Scroll: Awards Season as a Mood
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The Sunday Scroll: Internet Is Obsessed With Soft Power